Against
my will, it seems that my attempts to avoid ever watching ITV's X
Factor have roundly failed, and so it has become the new weekend
routine to find myself half-watching however many hours of auditions,
emotional wannabes failing to get a break and oddballs who never had
a chance in the first place.
The
last episode I watched was, I will admit, mildly diverting, but not
because of the music. Definitely not. No, in that one Gary Barlow and
Olly Murs were attempting to whittle Barlow's team down, and they
were doing so on the roof of a building in New York (by my estimates
I'd say somewhere in Chelsea) with lots of views of beautiful
skylines. So, diverting, yes, but only because I was trying to work
out which buildings I recognised.
What
did occur to me was that like strands of music, reality shows have
their own unique vernacular. Here are some of my personal favourites, often to be heard spilling from the mouths of contestants:
- 'I've got to take it to another level.'
- 'It's an emotional roller coaster.'
- 'She's had a long journey to get here.' (To my abject horror, my eldest daughter actually used this one last week when I was being especially disparaging toward one weeping contestant.)
- 'My whole life depends on it.'
Erasure Snow Globe |
Young Knives Sick Octave |
The
other album I covered this month is Sick Octave, album number four
from Young Knives. For this album the trio took themselves off into a
disused airbase and experimented with computers, synths, gas
canisters and sheet metal to produce something that sounds like it
was transplanted from the post-punk hinterlands of the early
Eighties. 'Something Awful' from Sick Octave, a track that is
anything but awful, can be listened to here and below.
Finally, this week I was sent the debut album from Ejecta, a duo of Neon Indian's Leanne Macomber and Joel Ford from Tigercity. Dominae (Happy Death) isn't out until December and so I shouldn't say too much now, but suffice to say that this New York duo have nailed a downbeat strain of rather lovely electronic pop full of ethereal singing and appropriately vintage synths. Listen to track 'Jeremiah' here and below.
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