!!! Thr!!!er |
If
I was to look at what album I've listened to most over the past six
months it will undoubtedly turn out to be Thr!!!er by !!! (you
pronounce it chk-chk-chk). Thr!!!er was released on Warp, once the
pre-eminent home of UK electronic music, but now much more interested
in more eclectic concerns.
I
didn't go out of my way to buy this. My family and I were in holiday
in New York and we stopped in at Other Music to pick up some CDs that
we'd been contemplating buying but hadn't gotten around to. In fact,
it had been a while since Mrs S. or I had splurged on buying music, it
was chucking it down with rain outside and the staff in the shop were
so friendly that we just kept picking stuff up. It was like this last
year, and also when we were there in 2005 (apart from the rain). I
bought Banks by Interpol's Paul Banks, the debut Chelsea Light Moving
album and a second-hand Cabaret Voltaire CD, while Mrs S. loaded up on
all sorts of stuff, including the !!! album.
$100
odd dollars and another downpour later, we were sat in our hotel room
trying to dry off before contemplating going out for dinner, eating
soggy cupcakes from Magnolia Bakery in the Village and a sandwich
from Peanut Butter & Company, and Mrs S. put Thr!!!er on. I was
hooked from the opening snare hit on 'Even When The Water's Cold' and
from that moment on it's been the soundtrack to many a car journey,
commute to work or stay in a hotel for work.
I'm
not sure totally sure why it's captivated me so. I saw the band live
once supporting the Chili Peppers and they didn't exactly excite
much, but there's something about the sleek disco-punk-funk on
Thr!!!er that has made it a firm favourite. Mrs S tells me that this
proves she has better taste than me; I concede she's probably right.
The
only thing that's taken the edge of this new-found interest in this
band was a recent Daytrotter session which was less slick and more
sloppy, but otherwise, if it was possible to wear out a CD like
people used to wreck LPs, I'd probably need a new copy now.
Listen
to an Anthony Naples remix of the hedonistic and strangely wistful
'Californyeah' from the forthcoming remix EP here and below.
This
week I found myself listening to 'Blue Room' by The Orb for the first
time in probably ten years. I wasn't a fan of this when it first came
out but intrigued me on some level (the weird 'performance' on Top Of
The Pops where Alex Paterson and Kris Weston just played chess, the
fact that the full length version lasted a proggy forty minutes) and
shortly after its release I found myself drawn to ambient music as
part of a push to try and find some means of calm in my life. I was a
stressed-out teenager with all sorts of angst, and ambient music
seemed to overcome that.
I
distinctly remember buying The Orb's U.F.Orb (which includes 'Blue
Room') the day before my father went into hospital for an operation
in 1993, and I found myself listening to it over and over in the car
in Warwick Hospital car park the next day while waiting for him to
come out of theatre. Later I'd turn to Brian Eno's The Shutov Assembly
whenever I wanted some form of meditative state to wash over me, but
for a long time it was U.F.Orb, and 'Blue Room' in particular, that usually did the trick.Listening to it now, its forty-minute duration seems over far too quick and it remains absorbing enough across its length to never feel anything other than deeply engaging for the mind.
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